Just back from hearing a great singer/songwriter. Eliza Gilkyson. From 
california (or Texas) She was phenomenal and had a couple of great 
musicians, one of whom was her son on drums. I was particularly 
interested to see the dynamic and it looked pretty smooth. I was most 
interested to observe that, because I intend to get into some music 
projects with my son Joel who's about the same age. Except Joel and I 
will be doinf something entirely different than what I've been doing. 
It will be an interesting side project - and likely have more popular 
appeal than my rootsy stuff.
Opening for Eliza was the winner of the OCFF Songs from the Heart 
contest (which I enter every year - with the *same* song). Her name is 
Michelle Rasky and her winning compsition was very deserving. I told 
her she beat me fair and square. All her tunes were quite involved 
musically and lyrically. In my own songwriting I'm always thinking I 
should change it up again - and a bridge..some new chords. I could have 
made three songs out of some of her more elaborate pieces - there must 
be someplace in the middle where you can keep things moving - keep 
people's interest up. Then again, if it's not helping keep people's 
interest up, better to just stick to one chord or one idea.
While I was in Provincetown I got word from the record company that our 
FACTOR loan is approved so now we have to get into mixing mode - 
pronto! In P-town, I went out on a whale watching expedition and got to 
know a couple of whales. The boat makes its way out to the whales' 
feeding area and it doesn't take long till you see one surface and blow 
out a column of mist/breath. Then the boat would get closer because 
they knew he/she would be back up for another three or four breaths and 
sure enough the whale would re-appear a little further (or closer). The 
captain of that boat was very good at guessing where the whale would 
pop up and we had some great looks. We would stick with one whale for a 
half-hour or so, then move on and find another one.  It was an 
education and I was just thinking today that I should have been 
concentrating more on "communicating" with these guys but I was just 
standing there in amazement. Now that I think about it, I must have had 
some psychic link because I was always looking the right way when they 
popped up for air. The only time I missed one was when I was at the bow 
and he popped up right behind our boat.
I brought my guitar because both Linda and Joel knew places where I 
could sit in but when it came down to the crunch, nobody was about to 
invite this old Canadian bluesman to jump up onn their stage - 
certainly not in the first set. I kinda knew that, in fact I'm 
naturally reluctant to have someone I don't know sitting in with me 
when I've got a gig - though I might do it at the end of the evening.  
Anyway, I did get to play some of my new tunes for Alice Brock who is 
an icon of the folk music scene (remember Alice's Restaurant?) and she 
cooked us a big dinner, too. Even made sandwiches from the leftovers 
for our trip home.
Still hoping to set up some gigs in New England for next year - One 
club was willing to give me a couple of dates so I could apply for the 
visa ahead of time (and not get hit with the "expedited processing fee" 
of $1000. US)
 
